The Race of Sound Listening, Timbre, and Vocality in African American Music / Nina Sun Eidsheim. [print]
Material type:
Item type | Current library | Call number | URL | Status | Date due | Barcode |
---|---|---|---|---|---|---|
![]() |
G Allen Fleece Library Online | ML3917.U6E337 2019 (Browse shelf(Opens below)) | Link to resource | Available | ||
![]() |
G Allen Fleece Library Online | ML3917.U6E337 2019 (Browse shelf(Opens below)) | Link to resource | Available |
Formal and informal pedagogies : believing in race, teaching race, hearing race Phantom genealogy : sonic Blackness and the American operatic timbre Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity Race as zeros and ones : Vocaloid refused, reimagined, and repurposed Bifurcated listening : the inimitable, imitated Billie Holiday Widening rings of being : the singer as stylist and technician.
COPYRIGHT NOT covered - Click this link to request copyright permission:
There are no comments on this title.